The Concept of Dance Drama in the Works of Rabindranath Tagore

• Ipsita Dutta

  Lalbaba College

  Author

  https://orcid.org/0009-0007-7598-5157

This paper argues that Rabindra Nritya, i.e., Tagore’s style of dance drama, is a distinct and transformative creation that not only reinterprets Indian classical and folk dance traditions but also functions as a means for cultural and social change in Bengal and beyond. By analyzing the origins and evolution of Rabindra Nritya through Tagore’s writings, letters, and the structure of his dance dramas, this article aims to demonstrate that Tagore’s work both preserved India’s rich heritage and introduced a progressive artistic vision. The fundamental question guiding this research is: What is the history of Rabindra Nritya's emergence, and what unique impact did it have? The answers to these questions have indeed been found in his various writings. By analysing his dance dramas and his letters, the history of the creation of Rabindra Nritya can be understood. Rabindra Nritya incorporates elements from almost every genre of Indian classical dance. Even foreign dance forms have influenced this expressive, emotion-centered dance tradition. It has had a profound impact not only in Bengal and India, but also abroad. While this paper discusses four dance dramas, it is hoped that it will inspire more detailed research on Tagore's remaining dance dramas.

1. Ipsita Dutta, Lalbaba College

   I, Ipsita Dutta, Lalbaba College, Dept. of Philosophy, Belur, Howrah, West Bengal, India, holding the designation State-Aided College Teacher (SACT-1), am also pursuing a PhD in Philosophy from Monad University, Hapur, UP. 

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