How Death is in Tagore’s Thoughts
- Authors
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Dr. Bijay K. Sarkar
Panchanan Barma UniversityAuthor
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- Keywords:
- Death, Spiritual transition, cosmic rhythm, acceptance, transcendence
- Abstract
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Rabindranath Tagore’s philosophy of death presents a nuanced, spiritual perspective rooted in Indian Vedantic traditions, viewing death as a transition rather than an end, akin to a doorway into higher consciousness or divine union. His writings depict death as a natural, rhythmic part of the universe’s eternal cycle, emphasizing acceptance, inner spiritual growth, and the unity of life and death within the cosmic whole. Tagore perceives death as a friend, a purifier, and a call for spiritual awakening, encouraging individuals to transcend fear through love, faith, and self-awareness. His thoughts are heavily influenced by Upanishadic ideas of the immortal soul (Atman) and Moksha, advocating that death ultimately leads to reunion with the divine, symbolizing renewal and rebirth. While his poetic and philosophical approach offers comfort and a transcendent understanding, critics argue that it may overlook the raw emotional realities and societal complexities of death, such as grief and physical suffering. His emphasis on spiritual continuity might risk minimizing personal pain or cultural differences in death rituals. Nonetheless, Tagore’s conception invites us to see death not as an obstacle but as an integral part of the universal rhythm, fostering hope, moral integrity, and the pursuit of higher truth amidst life’s ephemeral nature.
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- Author Biography
- References
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Basu, R. K. (2010). Rabindranath Tagore and the philosophy of death. Kolkata: University of Calcutta Press.
Bose, A. (2015). Death and immortality in Tagore’s poetry: A philosophical perspective. Journal of Indian Philosophy, 43(2), 245–262.
Chatterjee, P. D. (2012). The spiritual dimension of death in Tagore’s works. Indian Journal of Religious Studies, 39(4), 305–319.
Das, M. L. (2018). Tagore’s view on death: A Vedantic interpretation. Philosophy Today, 62(3), 157–172.
Sen, S. K. (2009). The divine rhythm: Tagore’s conception of life and death. Journal of Philosophy and Culture, 5(1), 70–85.
Sartre, J.-P. (1943). Being and Nothingness (H. E. Barnes, Trans.). Routledge.
Tagore, R. (1910). Gitanjali. Macmillan.
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Tagore, R. (1931). The Religion of Man. Macmillan.
Rabindra Rachanabali (1961). Kolkata: Visva Bharati.
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- 2025-06-13
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Copyright (c) 2025 Dr. Bijay K. Sarkar (Author)

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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